Film Review - The Holdovers
Paul Giamatti is outstanding in Alexander Payne's darkly comic, melancholy, but uplifting drama
Alexander Payne’s The Holdovers isn’t merely set in 1970 but pretends to be from 1970, in subject and form. Subject, because grown-up, mid-budget, mainstream Hollywood drama of this kind falls into they-don’t-make-them-like-that-anymore territory, and form, because the film has opening reel scratches, the 1970s Universal Studios logo, o…
Keep reading with a 7-day free trial
Subscribe to The Dillon Empire: Simon Dillon on Substack to keep reading this post and get 7 days of free access to the full post archives.