Film Review - Presence
Steven Soderbergh's ghost story, shot entirely from the point of view of the spectre, is insubstantial but interesting
It’s been an interesting month for films exclusively told in POV shots. First, the UK finally got to see Nickel Boys; a remarkable piece of work in which the technique pays significant emotional dividends if you stick with it. Then we have this latest film from the prolific Steven Soderbergh (he’s got another film, spy thriller Black Bag, ou…
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