In the UK, there were two big releases last Friday. One is a deep, determinedly serious, thought-provoking, Oscar-tipped drama about art, architecture, immigration, the dark side of the American Dream, and much more (The Brutalist). The other is Mel Gibson’s Flight Risk. This is known as counterprogramming, so all audiences are catered …
Keep reading with a 7-day free trial
Subscribe to The Dillon Empire: Simon Dillon on Substack to keep reading this post and get 7 days of free access to the full post archives.